Film Genre Essay Conclusion



Essay-Writing Guide (aka “The Steps”)

*There are no shortcuts to education. You have to do the work*

Note: This guide is only for students who are stuck or anxious about their essay-writing skills. If you are confident in your essay writing, then you keep on being you. This guide is really only intended for those who need some extra help. If in doubt, please ask.

As “steps”, what follows should be done in order in which they appear.

Step 1: The Topic

Write a sentence – in your own words – summarizing the theory or idea you are going to discuss. Don’t begin by choosing the topic you want to write about – “I want to write about slasher movies and film X” – but try to identify the point of the lecture where that idea or film can be applied. Believe it or not, there is a point to each lecture each week (I know, right?); sometimes this will be made explicit to you, other times you may have to think about what was the point of that class. If you don’t understand the topic point (that is, if you cannot figure out what the point was in studying “that”), then do not write an essay on that topic. It may very well be the film we studied you liked the most, or seemingly the easier topic, but if you cannot write a summary sentence of that point, you do not understand the topic sufficiently to write an essay on it. And, put bluntly, if you do not understand the topic, you are going to get a poor grade on that assignment.

So, the first step is the reiteration of the topic point to any of the lectures. This is one of the key reasons why it is strongly discouragedto write on a topic wherein you were not present for the lecture. If you were not there for the class, you may not sufficiently understand the point of studying that topic for writing a successful essay. It is probably worth your while, in your essay planning stage, to sit down and write out, in your own words, a summary statement for each week’s class. Only write on a topic where you can write such a summary statement. And so, you need to ensure you understand the topic sufficiently to be able to summarize it in a single sentence.


Step 2: The Film

Only once you can do Step 1 should you then pick a film to write on. Your choice of film needs to make sense in light of the topic. In some modules (particularly in first year), you will be told which film to write on; in other modules, you may be instructed to write on a film other than the one you studied in class. Be sure you understand what is expected of you from your film choice. If you are not sure if your chosen film works with the topic: a) you have chosen the wrong topic (because you do not understand it sufficiently) and/or b) you have chosen the wrong film to study. You should not have any doubt about the topic or the film you have chosen. You should be confident about your choices.

Don’t automatically choose a film you like or are familiar with. Your analysis may be sharper if you are ambivalent about the film. At the very least, you will be more focused on the topic at hand.


Step 3: The Points

  1. So you understand your topic and you have a gnarly film to discuss. Great. Now what? In the film, find three examples which reflect your summation of the topic itself. Think about taking some screengrabs from the film. Ask yourself “Why does this image suggest that Alice is the final girl in Friday the 13th?” or “What is it about the mise-en-scene that says ‘German Expressionism’?” What is it about this frozen moment in the film which reflects the ideas you are trying to discuss?


So where are we? We have:

  1. A focused topic appropriately understood;
  2. A relevant and appropriate film; and
  3. Three points in the film which reflect or illustrate the point.

You are now ready to start thinking about writing your essay.


Step 4: The Essay

Do not start writing the essay from the beginning; do not start writing your introduction just yet. Start in the middle. Take your first relevant screengrab/point in the movie, and just start writing – freestyle. Explain to me why this image/point is relevant to the topic. Once you’ve finished your first point, move on to the second, etc. At this stage, just freestyle it; don’t worry about quotes (yet). If your discussion is only two or three sentences long, then write those and then move on. Once this is done, leave off writing for a moment.


Step 5: The Quotations

Secondary sources: use these to back your analysis. Don’t use your analysis to prove someone else’s theory/idea. Your essay should be about your ideas, not theirs. Read/research the points you have made. (Although this does assume you have done some reading on the topic already.) Find quotes which support what you are saying. Then stick them in where appropriate.


Step 6: The Readings

What do we mean by “appropriate readings”? Each topic you could write on will have a required reading list attached to it. You will need a very good reason for not including these in your essay. We have access to many digital versions of the books so there is no excuse that “the book wasn’t in the library” or “you couldn’t get to the Hive to do the research”. Beyond the required reading list, you still need to find more “stuff”. Use the bibliographies and references to the articles and chapters from the required readings (Who have they been reading?). Use Summon – type in the topic and see what comes back; however, you need to read through this list in order to filter out only what is relevant. So, in addition to the required readings for the topic, you should, easily, find another 10 possible sources through Summon. This should not take more than 10-15 minutes to do. And this is all without using internet pages or websites (which in most cases, we would advise against using in the first place).

It is really important that you are doing academic reading over the course of your studies. The degree is Film Studies, and this is where the study comes in.


Step 7: The Introduction

Do not begin your essay with the creation of the universe (“Since the beginning of time, we have loved moving images”). Write your essays to whomever is going to be marking them. And by doing this, you can safely assume we know what you are talking about. We know this stuff. Unlike your A-Level essays, you do not need to cram in every factoid and history of the topic. Just get in there and discuss the film.

Remember the summary sentence I asked you to write at Step 1? Go back and grab that. This sentence makes for a perfect first sentence to your essay. Write out these:

  1. Your summary sentence of the topic;
  2. A single sentence plot description of the film you have chosen to discuss; and
  3. A summary sentence of your three points.

And that’s all she wrote for your introduction. That’s all you need. Assuming you’ve done Steps 4-6, your essay is now, pretty much, done. If you are stuck writing your conclusion, just reverse your introduction: Restate your three points, note how it works within the film, and then restate the topic.

So, here again, are the seven steps:

  1. The Topic
  2. The Film
  3. The Points
  4. The Essay
  5. The Quotations
  6. The Readings
  7. The Introduction


Other (semi-random) points:

  • Answer the question asked, not the question you want to answer
  • You do need to know:
    • its & it’s
    • there, their & they’re
    • differences between plurals and possessives (when to use ‘s)
  • You do need to know Harvard Referencing ( You should cite every time you:
    • Quote
    • Paraphrase
    • make a passing reference to someone else’s work

When in doubt, cite!

And remember to always include page numbers in your citations

  • Use “film-speak”: mise-en-scene, cinematography, etc.
  • Meet the word-count. You are allowed 10% over or under; so, for a 1500-word essay, you may be 150 words over or under that target.
  • Be prepared!
    • Be prepared and anticipate doing substantial editing to your essay.
    • Be prepared to start over, develop and let your essay evolve.
    • Be prepared to re-write the whole damned thing!
    • Be prepared to change films if what you are writing on does not work.
  • Ask us questions! We are happy to look at drafts of your work up to 48 hours before the essay is due.
  • Proofread. Try to get a friend to read your work, but one who will give you constructive feedback; it is pointless to get someone to read your essay if they are not going to point out the ways it could be improved.
  • Where possible, we will endeavour to make available to you essay examples so you can see for yourself what an A-grade assignment looks like.


Dr. Mikel J. Koven
Senior Lecturer, Film Studies
September, 2017





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The historical film emerged as a strong genre form very early in cinema history and has renewed itself many times over the course of the twentieth century and into the twenty-first. Although the world of the past is its subject, the genre is often in the vanguard in terms of visual style and cinematic technique. The dramatic, compelling portraits of the past that are brought to life in the historical film have made it one of the most prestigious as well as one of the most controversial genres in film. It provides both a lens onto the past, which it frequently recreates with exquisite attention to detail and period style, while also reflecting the cultural sensibility of the period in which it was made. Above all, the historical film provides an emotional connection to history in a way that foregrounds the power and importance of the past in shaping the cultural imaginary in the present.

Burgoyne, Robert. Film Nation: Hollywood Looks at U.S. History . Minneapolis: University of Minnesota Press, 1997.

Carnes, Mark C., ed. Past Imperfect: History According to the Movies . New York: Henry Holt, 1995.

Custen, George. Bio/Pics: How Hollywood Constructed Public History . New Brunswick, NJ: Rutgers University Press, 1992.

Davis, Natalie Zemon. Slaves on Screen: Film and Historical Vision . Cambridge, MA: Harvard University Press, 2000.

Elley, Derek. The Epic Film . London: Routledge and Kegan Paul, 1984.

Harper, Sue. Picturing the Past: The Rise and Fall of the British Costume Film . London: British Film Institute, 1994.

Kaes, Anton. From Hitler to Heimat: The Return of History as Film . Cambridge, MA: Harvard University Press, 1989.

Rosenstone, Robert A. Visions of the Past: The Challenge of Film to Our Idea of History . Cambridge, MA: Harvard University Press, 1995.

Sobchack, Vivian, ed. The Persistence of History: Cinema, Television, and the Modern Event . New York: Routledge, 1996.

Sorlin, Pierre. The Film in History: Restaging the Past . Totowa, NJ: Barnes and Noble, 1980.

Suid, Lawrence H. Guts & Glory: The Making of the American Military Image in Film . Lexington: University Press of Kentucky, 2002.

Wyke, Maria. Projecting the Past: Ancient Rome, Cinema, and History . New York: Routledge, 1997.


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